Peter Herwegen (1814-1893)

Memories Germany, 1873 Watercolour over pencil, partly highlighted with gouache in gold 32.6 x 44 cm This watercolour is an allegory of the arts commissioned by the Buhler family of Berne. Alongside the attributes of painting, sculpture and architecture the intricate gothic design includes the Swiss city’s heraldic bear and key landmarks. The composition emulates … Read more

Augustus John (1878-1961)

Nude Girl Standing London or Paris, about 1906 Etching 19 x 11.5 cm  A young naked woman stands with her knee upon a bed. Her pensive expression and downturned eyes suggest intimacy and naturalness. The loose, hastily etched lines highlight the mass and unevenness of her body rather than idealising her figure. The model is … Read more

Jean-François Millet (1814-1875)

The Diggers France, unknown date Etching Two men are digging in an inhospitable landscape. Their strong shoulders, curved backs and widely planted legs suggest the strenuous nature of their task. Millet often regarded peasant figures as evoking a sense of eternal and timeless toil in an unforgiving world. He un-idealised visions were seen by many … Read more

Edgar Degas (1834-1917)

The Cirque Fernando – Architectural Study  France, c. 1879 Pencil, black and red chalk on two sheets of joined pink paper A study for the architectural background of ‘La La at the Cirque Fernando’. The Cirque Fernando was built in 1875 in the boulevard Rochechouart, Paris, near the Place Pigalle. Studies for the interior fill … Read more

Édouard Manet (1832-1883)

La guerre civile  France, 1871 Lithograph Plate: 39.5 x 50.9 cm; mount: 68.3 x 77.1 cm The lithograph protests against the massacre of Parisian Communards in 1871 by French government forces. This marked the end of the tumultuous Franco-German War and the Seige of Paris. The central dead Communard is dressed in National Guard uniform. … Read more

James Abbott McNeill Whistler (1834-1903)

The “Adam and Eve”, Old Chelsea London, 1879 Etching on fine Japanese paper 17.6 x 30.4 cm  Whistler’s depiction of life on the Thames in Chelsea is retrospective. This work shows an old riverside inn, The Adam and Eve, next to rows of dilapidated buildings which were demolished during the early 1870s to make way … Read more

Joseph Mallord William Turner (1775-1851)

The Lake of Thun  London, 1808 Etching with mezzotint  18.3 x 29.2 cm Etched by JMW Turner and engraved by Charles Turner (no relation), this print was the third plate of the artist’s Liber Studorium, a series of landscape prints intended to advertise his range. The production of which caused a disagreement between Turner and … Read more

Joseph Mallord William Turner (1775-1851)

Isleworth London, 1819 Etching with mezzotint 21 x 28.9 cm In 1804 Turner began renting Sion Ferry House at Isleworth in Twickenham and spent the summer of 1805 making oil sketches from a boat on the Thames. This print is based on those sketches and was published in the penultimate thirteenth part of Liber Studiorum. … Read more

Joseph Mallord William Turner (1775-1851)

The Chain of the Alps from Grenoble to Chambéri British, 1812 Etching, with mezzotint by W. Say 186 x 288 mm This plate appeared in the tenth part of the Liber Studiorum series, and is based on sketches made during Turner’s 1802 European tour. He travelled specifically to see the Alps and this print belongs … Read more

Joseph Mallord William Turner (1775 – 1851)

Isis London, 1819 Etching, with mezzotint by W. Say 20.9 x 30 cm This image is highly reminiscent of Claude Lorrain and belongs to the elusive ‘E.P’ category. It was published in the forteenth and final installment of the Liber Studiorum series. The ruins in the foreground create a strong sense of an idealised ancient … Read more

Auguste Rodin (1840 – 1917)

Bust of Victor-Henri, Marquis de Rochefort-Luçay (1830-1913) Paris, Model: about 1884; Version: about 1902 Marble 81.3 x 40 x 40 cm Henri Rochefort-Luçay was a radical journalist, art collector and patron, noted for his remarkably wild hair and equally fierce opinion. The original plaster model was made in about 1884, but this version was carved, perhaps … Read more

MORE REAL THAN LIFE

19th-Century Portrait Photography The dawn of photography in the mid-19th century made portraiture accessible to a much wider public. This exhibition explores early photographic studio portraiture, including the popular carte-de-visite format. The exhibition discusses how photographic techniques, backdrops, props, costumes and poses enabled public figures – ranging from Oscar Wilde through Ellen Terry to Queen … Read more

George Du Maurier (1834-1869)

The Triumph of Realism British, 1879 Pen, brown ink and pencil on card 254 x 358 mm Du Maurier was a Franco-English illustrator, author and cartoonist. This drawing was made for the satirical magazine Punch (1841-2002). The magazine is responsible for coining the word ‘cartoon’ in its modern sense, as a humorous illustration, rather than … Read more

Jean-Auguste-Dominique Ingres (1780-1867)

La belle Ferronnière Paris, about 1802-6 Black chalk, stump and wash on paper Paper: 525 x 418 mm; mount: 785 x 575 mm This drawing is a copy of a painting attributed to Leonardo da Vinci (1452-1519) in the Louvre, Paris. It was thought to represent a mistress of Francis I; legend stated the sitter … Read more

The Pastoral and the Sublime

Vast, desolate and dramatic landscapes are shown alongside vistas of inhabited, peaceful countryside in this display of works on paper by British artists from 1780 to 1880. It showcases three stunning watercolours by Birmingham-born artist David Cox, recently donated to the gallery, as well as superb watercolours, drawings and prints by Gainsborough, Turner and Constable, among others. Th e display explores the … Read more

The Collection

The Barber Institute contains one of the finest small collections of European art in the UK. The works have been purchased to fit Lady Barber’s criteria that everything should be of ‘that standard of quality required by the National Gallery or Wallace Collection’. Careful consideration has also been given to making sure that the works … Read more

IN FRONT OF NATURE

The European Landscapes of Thomas Fearnley The fjords, forests, mountains, torrents and glaciers of Scandinavia and Switzerland, the lakes and picturesque country buildings of Cumbria, and the sun-drenched plains, hillsides, rocks and sea-shores of Southern Europe and the Mediterranean… Landscapes featuring a breathtaking range of Europe’s varied and beautiful scenery feature in this dazzling exhibition- … Read more