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The Prints and Drawings Study Room

The Prints and Drawings Study Room houses our fine collection of prints, drawings and watercolours, comprising more than 1,000 works and six centuries of the draughtsman’s and printmaker’s arts.

The study room is open to researchers, students and the general public by appointment only.

For research enquires or to make an appointment please email: [email protected]

Please note: the Barber's galleries are closed for a major building improvement project.

Images inside the coin and print study room at The Barber Institute of Fine Arts, University of Birmingham.

We have outstanding drawings in our collection by varied artists such as Tess Jaray, Fra Bartolommeo, Rembrandt van Rijn, JMW Turner, Edgar Degas and Gwen John.

Prints include exceptional works by Albrecht Dürer, Francisco Goya, Italian and Flemish Renaissance masters and 19th-century and 20th-century artists from Pablo Picasso and Elizabeth Frink to Käthe Kollwitz.

Many of our prints and drawings can be viewed on our website, or on the University's Online Collections. We are still in the process of digitising our full collection of works on paper, so please bear with us.

A rotating selection of works on paper are displayed in our dedicated Print Bays (located in the Green and Beige galleries) – typically there are six print displays a year.

Explore our prints and drawings online:

Schelte Adamsz Bolswert (1586-1659)

A Flat Flemish Landscape with Clouds The Netherlands Engraving Plate: 330 x 405 mm, mount: 515 x 625 mm One of two engravings after Rubens bought by the Barber Institute. This one distinguishable as without figures. Purchased (No. 99.2a)  

Schelte Adamsz Bolswert (c. 1586-1659)

Schelte Adamsz Bolswert Stormy Landscape with Philemon and Baucis Antwerp, after 1630 Engraving Paper: 502 x 665 mm; mount: 620 x 805 mm Mythological Gods are notorious for their vengeful behaviour. When a disguised Jupiter and Mercury visited Heart, only Philemon and Baucis welcomed them. Shocked by the hostility of other inhabitants, the gods flooded … Read more

Edgar Degas (1834 – 1917)

Edgar Degas Mademoiselle Malo Paris, the early 1870s Pastel on paper 52.2 X 41.1 cm Mademoiselle Malo has not been conclusively identified, but apparently she was a dancer at the Paris Opéra. Degas began to use pastel for portrait studies in the 1870s and this fine example is one of the earliest.  Degas appreciated the … Read more

Édouard Manet (1832-1883)

Édouard Manet Charles Baudelaire Paris, 1865 Etching Composed after a photograph by the French photographer Nadar, this etching captures the immediacy of the original photographic image. The short busy lines swirl across the paper to build up the likeness of the art critic and poet Charles Baudelaire. Nadar took a direct approach to his portraiture, … Read more

Ennemond-Alexandre Petitot (1727-1801)

Ennemond-Alexandre Petitot Suite de Vases: Page One Parma, Italy 1764 Etching on laid paper Plate: 220 x 165 mm; paper: 420 x 280 mm; mount: 630 x 520 mm Page one is dedicated to Guillaume du Tillot, the First Minister who was responsible for introducing Petitot to the court in Parma. At the time of … Read more

Wenceslaus Hollar (1607-1677)

Wenceslaus Hollar Muscarum Scarabeorum Vermiumque Variae Figurae et Formae 1646 Etchings Wenclaus Hollar was born in Prague, but worked across Europe including in Stuttgart, Strasburg, Frankfurt and Cologne, where he became employed by Thomas Howard, the Earl of Arundel (1585-1646). Howard was a court member of King Charles I, and renowned for his collection of art and … Read more

Hieronymus Cock (around 1510-1570)

Hieronymus Cock Mercury and Argus The Netherlands, around 1558 Etching 227 x 324 mm In this print, the narrative of Mercury and Argus (from Ovid’s Metamorphoses) is dwarfed by the fantastic landscape. In keeping with Flemish tradition, Cock depicts all elements of nature: woodland, mountain ranges, river, fields and animals. This print features Mercury attempting to … Read more

Ennemond-Alexandre Petitot (1727-1801)

Ennemond-Alexandre Petitot Suite de Vases: Page Three Parma, Italy 1764 Etching on laid paper Plate: 220 x 165 mm; paper: 420 x 280 mm; mount: 630 x 520 mm A set of 32 engravings, with 3 printed folios. Series purchased in 1961 for £25 (No.61.4/3)

Lambert Doomer (1622/3-1700)

Lambert Doomer Rock Dwellings at Saumur on the Loire Dutch, 1646 Pen with grey and brown washes 22.8 x 36.5 cm The inhabitants of a rock dwelling execute their daily tasks. This scene at Saumur is on of a number of drawings made in the Loire Valley by the artist en route from Nantes in … Read more

Emil Nolde (1867-1956)

Emil Nolde Prophet Berlin, 1912 Woodcut 49.5 x 36.5 cm; mount 73 x 59 cm In this deliberately roughly-cut woodcut of an unnamed prophet, the thick hair and beard merge with the blackness of the background. Nolde pursued a unique spiritual path and sought to express his own, truly German, art. Purchased 1996 (No. 96.5)

Albrecht Dürer (1471-1528)

Albrecht Dürer The Death of the Virgin Nuremberg, 1510 Woodcut In contrast to the highly-wrought drama of his Apocalypse series, Dürer’s Life of the Virgin cycle incorporates more naturalistic settings, intended to appeal to a broader public. This sorrowful scene shows the Virgin Mary on her death bed surrounded by her apostles. Dürer’s ability to create movement … Read more

Paulus Potter (1625-1654)

Paulus Potter The cowherd Dutch, 1649 Etching Purchased from Craddock & Barnard, November 1957, for £2.10 (Inv. No. 57.12)

David Cox (1783-1859)

David Cox Goodrich Castle, Herefordshire British, mid-1820s Watercolour 197 x 270 mm; paper support: 245 x 330 mm Gifted 2015 (No. 2015.5)

Attributed to Gerbrand van den Eeckhout (1621 – 1674)

Attributed to Gerbrand van den Eeckhout The Parting of David and Jonathan About 1632/3 Pen and wash Sheet 206 x 268 mm; mount 630 x 516 mm The subject which was formerly known as ‘The reconciliation of David and Absalom’, is from I ‘Samuel’, xx: 41-2, and thought to be by Rembrandt Harmensz. van Rijn … Read more

Joseph Mallord William Turner (1775-1851)

Joseph Mallord William Turner The Chain of the Alps from Grenoble to Chambéri British, 1812 Etching, with mezzotint by W. Say 186 x 288 mm This plate appeared in the tenth part of the Liber Studiorum series, and is based on sketches made during Turner’s 1802 European tour. He travelled specifically to see the Alps … Read more

Joseph Mallord William Turner (1775-1851)

Joseph Mallord William Turner Isleworth London, 1819 Etching with mezzotint 21 x 28.9 cm In 1804 Turner began renting Sion Ferry House at Isleworth in Twickenham and spent the summer of 1805 making oil sketches from a boat on the Thames. This print is based on those sketches and was published in the penultimate thirteenth … Read more

Andrea Zucchi (1679-1740) after Tintoretto (c.1518-1594)

Andrea Zucchi after Tintoretto Raccolta di opere scelte: The Last Supper Venice, published 1786 Engraving Title page and 59 engravings after mainly Venetian paintings published by Teodoro Viero, Venice, 1786. The majority of the plates are by V. Le Febvre, S. Maniago, A. Zucchi, and P. Monaco. Purchased in London, March 1956 for £7 (No. … Read more

Adolph von Menzel (1815-1905)

Adolph von Menzel A Study for ‘Contribution’ Germany, about 1884 Carpenter’s pencil with stumping 22.9 x 15.2 cm Menzel was the leading master of later nineteenth-century German art. In its deftness and subtlety of line and modelling, it compares with the life drawings of Degas, also represented in the Barber collection. The drawing is a … Read more

Jan van Goyen (1596-1656)

Jan van Goyen A Village Scene Dutch, 1631 Black chalk and grey wash 11.1 x 18.6 cm Another drawing by van Goven of the same subject and date is in the Albertina, Vienna. Purchased in 1936 (No. 36.8)

Owen McSwiny (1684-1754)

Owen McSwiny Tombeaux des princes, grands capitaines et autre hommes illustres qui ont fleuri dans la Grande Bretagne 1741 Engraving  Paper: 650 x 424 mm; mount: 812 x 608 mm Eight engravings from the series publishes by McSwiny in 1741. Engraved by N. Dorigny, I. Cars, L. Desplaces, N.D. de Beauvais, B. Lepicie and J.P. … Read more

Stefano della Bella (1610-1664)

Stefano della Bella Les cinqs morts – Death on horseback Italy, 1648 Etching with engraving 191 x 151 mm Here, the horse charges out of the picture frame, representing the inevitable coming of death. Breaking away from traditional equestrian portraits of rulers and generals, the horse and rider are not a unified partnership. Instead, their … Read more

Franz Marc (1880-1916)

Franz Marc Lion Hunt (after Delacroix) Berlin, 1913 Woodcut on handmade Japanese paper 28.2 x 34 cm; mount: 63 x 51.5 cm  Marc uses the woodcut technique to simplify this composition, taken from a Delacroix (1798-1863) painting of 1855, so creating strong shapes that are typical of the German Expressionist style. The eye is drawn … Read more

Giulio Bonasone (c. 1498 – c. 1580)

Giulio Bonasone The chastising of Cupid Bologna, 1563 Engraving Plate: 226 x 357 mm; mount: 405 x 556 mm Occasionally, mythological Gods got their comeuppance for their misbehaviour. Cupid’s arrows had the power to change the amorous feelings on the unsuspecting: leaden ones fostered indifference, whilst golden arrows inflamed love. Here, Cupid is tied to … Read more

Hans Holbein the Younger (1497/8 – 1543)

Hans Holbein the Younger Design for stained glass About 1520 Pen and grey wash with traces of black chalk 375 x 295 mm Hans Holbein the Younger, later court painter of Henry VIII, made several designs for stained glass windows in his early career. The inclusion of a mitre and crozier suggests that the design … Read more

Rembrandt Harmensz. van Rijn (1606-1669)

Rembrandt Harmensz. van Rijn Christ and the Woman of Samaria 1658 Etching with drypoint 126 x 156 mm The subject is from ‘John’, iv: 7-26. Three later paintings of the theme are in the Gemaldegalerie, Berlin, the Metropolitan Museum, New York, and the Hermitage, St Petersburg. Rembrandt also made two etchings of the subject, one … Read more

Sir William Orpen (1878-1931)

Sir William Orpen A Nude Girl Seated on a Bed London, 1899 Pen and ink, brown wash on paper 27.6 x 21.4 cm This is one of a number of studies that Orpen made of Emily Scobel, a model at the Slade School of Art where he was studying at this date. The drawings culminated … Read more

Conrad Martin Metz (1749-1827)

The Death of the Children of Niobe Rome, 1820 Pen and brown ink and wash, heightened with white 454 x 684 mm Metz lived in Rome from 1801 until his death in 1827. This highly-worked presentation drawing treats the slaughter of Niobe’s seven sons and seven daughters by Apollo and Diana, a subject from Ovid … Read more

Wenceslaus Hollar (1607-1677)

Wenceslaus Hollar Queen Henrietta Maria London, 1641 Etching Henrietta Maria (1609-1669) was the daughter of Henri IV of France and the wife of Charles I. Although her Roman Catholicism alienated many of her subjects, she gave strong and devoted support to her husband. Wenceslaus Hollar was a prolific artist, producing nearly 2,800 prints and many … Read more

John Leech (1817-1864)

John Leech A Bracing Day at the Seaside British Watercolour over pencil 252 x 350 mm A family group struggle against the wind to walk along Scarborough Pier, whilst large waves break behind them. Leech’s characterisation of the holiday spirit is demonstrated by the ecstatic children in the foreground, the grimacing female guiding them, and … Read more

Walter Sickert (1860-1942)

Walter Sicke Dieppe, Quai Henri IV Dieppe, 1915 Etching Plate: 19.5 x 13 cm; mount 21.4 x 14.7 cm Female singer at Café Vernet, Dieppe. Published by Carfax & Co. Purchased 2016 (No. 2016.5) Bequeathed by Charles Branchini through the Art Fund

The Prints and Drawing Study Room was created with the financial support of the DCMS/Wolfson Museums Improvement Fund.