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The Prints and Drawings Study Room

The Prints and Drawings Study Room houses our fine collection of prints, drawings and watercolours, comprising more than 1,000 works and six centuries of the draughtsman’s and printmaker’s arts.

The study room is open to researchers, students and the general public by appointment only.

For research enquires or to make an appointment please email: [email protected]

Please note: the Barber's galleries are closed for a major building improvement project.

Images inside the coin and print study room at The Barber Institute of Fine Arts, University of Birmingham.

We have outstanding drawings in our collection by varied artists such as Tess Jaray, Fra Bartolommeo, Rembrandt van Rijn, JMW Turner, Edgar Degas and Gwen John.

Prints include exceptional works by Albrecht Dürer, Francisco Goya, Italian and Flemish Renaissance masters and 19th-century and 20th-century artists from Pablo Picasso and Elizabeth Frink to Käthe Kollwitz.

Many of our prints and drawings can be viewed on our website, or on the University's Online Collections. We are still in the process of digitising our full collection of works on paper, so please bear with us.

A rotating selection of works on paper are displayed in our dedicated Print Bays (located in the Green and Beige galleries) – typically there are six print displays a year.

Explore our prints and drawings online:

Andrea Zucchi (1679-1740) after Tintoretto (c.1518-1594)

Andrea Zucchi after Tintoretto Raccolta di opere scelte: The Last Supper Venice, published 1786 Engraving Title page and 59 engravings after mainly Venetian paintings published by Teodoro Viero, Venice, 1786. The majority of the plates are by V. Le Febvre, S. Maniago, A. Zucchi, and P. Monaco. Purchased in London, March 1956 for £7 (No. … Read more

Thomas Gainsborough (1727-1788)

Thomas Gainsborough A Hilly Landscape London, about 1775-80 Black chalk and stump and white chalk on blue paper 270 x 335 mm Gainsborough rarely made drawings as preparation for a painting and at this date he did not work from nature. Instead, landscape drawings such as this were made as private studio exercises in which … Read more

Claude Mellan (1598-1688)

Claude Mellan Biblia sacra – Frontpiece 1642 Engraving 280 x 230 mm After Nicolas Poussin. Inscribed verso lower right: V. Poliakoff 1920 701, and lower left: 306. Purchased 2005 (No.2005.1)

John Raphael Smith (1752-1812)

John Raphael Smith Dr Richard Robinson, D. D. 1775 Mezzotint 510 x 357 mm This print was made after the painting by Reynolds, which is also in the Barber’s collection. The Englishman Richard Robinson (1709-1794) was made Archbishop of Armagh in 1765, so when this portrait was painted he was Primate of Ireland. He is … Read more

Käthe Kollwitz (1867-1945)

Käthe Kollwitz Self-Portrait in Profile Berlin, 1927 Lithograph on Japanese paper 59 x 45 cm Kollwitz portrays herself with signs of aging and a careworn expression, working against the traditional portrait of the woman as timeless youth. The head, as the most vital part of the body, symbolizes the artist’s wisdom and her sympathetic mentality … Read more

Owen McSwiny (1684-1754)

Owen McSwiny Tombeaux des princes, grands capitaines et autre hommes illustres qui ont fleuri dans la Grande Bretagne 1741 Engraving  Paper: 651 x 419 mm; mount: 812 x 608 mm Eight engravings from the series publishes by McSwiny in 1741. Engraved by N. Dorigny, I. Cars, L. Desplaces, N.D. de Beauvais, B. Lepicie and J.P. … Read more

Käthe Kollwitz (1867-1945)

Käthe Kollwitz The Young Couple (Junges Paar) Berlin, 1904 Etching and Aquatint 290 x 310 mm plate size Printed by Otto Felsing, Berlin; published by Emil Richter. Proof, with margins, signed by the artist. Purchased 2018 (Inv. No. 2018.1)

Max Beckmann (1884-1950)

Max Beckmann Self portrait with stylus Frankurt, 1917 Drypoint 47.5 x 33 cm Beckmann depicts himself holding the tool needed to produce such a drypoint print. The use of tense and wiry lines testifies to his derelict state, having been discharged from the German army after suffering a complete mental and physical breakdown, Yet, his … Read more

Ennemond-Alexandre Petitot (1727-1801)

Ennemond-Alexandre Petitot Suite de Vases: Page One Parma, Italy 1764 Etching on laid paper Plate: 220 x 165 mm; paper: 420 x 280 mm; mount: 630 x 520 mm Page one is dedicated to Guillaume du Tillot, the First Minister who was responsible for introducing Petitot to the court in Parma. At the time of … Read more

Valentin Le Febvre (1642-1680/2) after Titian

Valentin Le Febvre after Titian Raccolta di opere scelte: The sacrifice of Isaac Engraving Title page and 59 engravings after mainly Venetian paintings published by Teodoro Viero, Venice, 1786. The majority of the plates are by Le Febvre, S. Maniago, A. Zucchi and P. Monaco. Purchased 1956 (No. 56.10/9)

Jean-François Millet (1814-1875)

Jean-François Millet The Drinking Place in the Forest France, about 1856-7 Black chalk 25.6 x 35.4 cm Purchased 1937 (No. 37.1)

Walter Sickert (1860-1942)

Walter Sickert La Gaité, Montparnasse Montparnasse, about 1919 Etching and engraving Plate 14.1 x 10.7 cm; mount 15.8 x 11.9 cm Purchased 2016 (No. 2016.6) Bequeathed by Charles Branchini through the Art Fund

Claes Pietersz Berchem (1620 – 1683)

Claes Pietersz Berchem The piping shepherd by the well Netherlands, 1652 Etching Paper: 265 x 208 mm; mount: 555 x 406 mm In this pastoral scene, a shepherd has laid aside his pail of water to play the flute to a young woman. His animals bleat and bray in appreciation of the music, their open … Read more

Jean-Auguste-Dominique Ingres (1780-1867)

Jean-Auguste-Dominique Ingres La belle Ferronnière Paris, about 1802-6 Black chalk, stump and wash on paper Paper: 525 x 418 mm; mount: 785 x 575 mm This drawing is a copy of a painting attributed to Leonardo da Vinci (1452-1519) in the Louvre, Paris. It was thought to represent a mistress of Francis I; legend stated … Read more

Jan Lievens (1607-1674)

Jan Lievens Jacques Gaultier, lutenist Etching Paper 265 x 220 mm; mount 557 x 405 mm Jacques Gaultier (about 1600-1652) was a successful lute-player and composer at the court of Charles I of England (reigned 1625-49). Gaultier’s lute has a split peg-box to accommodate additional strings, increasing the range of the instrument. The lute was … Read more

Aegidius Sadeler II (1570-1629)

Aegidius Sadeler II Daedalus & Icarus Etching 234 x 304 mm In a scene based on the classical story of Daedalus and Icarus and their escape from Crete, Daedalus gestures with despair as his son Icarus falls from the sky. The ploughman looks up while the seated peasants laugh and point. This story was often … Read more

Antonio da Trento (about 1508 – after 1550)

Antonio da Trento The Tiburtine Sibyl and Augustus Italy, 1527-1530 Chiaroscuro woodcut 337 × 254 mm This woodcut depicts the legend of Sibyl (a female prophet) who revealed a vision of the Virgin and Christ, the child who would eclipse all the Roman gods, to Emperor Augustus. This tale, featured in The Golden Legend  connected … Read more

David Cox (1783-1859)

David Cox Farmer on Horseback Passing a Windmill England or Wales, probably 1810-50 Watercolour 28.3 x 40 cm Birds circle the calm skies as a farmer slowly rides his horse past a windmill. The low horizon and large sky is typical of Cox’s preoccupation with depicting changeable weather and atmosphere. He returned to the theme … Read more

Fra Bartolommeo (1472-1517)

Fra Bartolommeo The Madonna and Child with Saints (recto); Two Figures (verso) Florence, about 1509 Black and yellow chalk heightened on white tinted paper 260 x 196 mm On the recto of this sheet there is a preparatory drawing for Fra Bartolommeo’s altarpiece in the church of San Marco in Florence. The altarpiece was painted … Read more

John Leech (1817-1864)

John Leech Hunting Incidents of ‘The Noble Science’: A Capital Finish, Plate 10 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/8)

Walter Sickert (1860-1942)

Walter Sicke Dieppe, Quai Henri IV Dieppe, 1915 Etching Plate: 19.5 x 13 cm; mount 21.4 x 14.7 cm Female singer at Café Vernet, Dieppe. Published by Carfax & Co. Purchased 2016 (No. 2016.5) Bequeathed by Charles Branchini through the Art Fund

Giovanni Battista Piranesi (1720-1778)

Giovanni Battista Piranesi The Villa d’Este, Tivoli Rome, 1773 Etching This engraving is from a series entitled Views of Rome. In this etching, Piranesi depicted the impressive gardens of the Villa d’Este in Tivoli, originally built for Cardinal Ippolito II d’Este (1509-1572). The inclusion of tiny figures on the steps emphasises the scale of the … Read more

Jean Moyreau (1690-1762)

Jean Moyreau La collation Paris, 1720s Engraving 457 x 334 mm This print reproduces a painting by Watteau, one of the most successful painters in Paris during the early 18th century. Watteau pioneered a new category of painting known as ‘fêtes galantes’ that depicted the idle pursuits of the aristocracy. Such scenes were produced in … Read more

Niccolo Boldrini (1510- after 1566)

Niccolo Boldrini Three Monkeys Imitating the Statue of Laocoön Italy, 1545 Woodcut 265 x 400 mm Purchased 1961 (No. 61.11)

Jean-François Millet (1814-1875)

Jean-François Millet The Diggers France, unknown date Etching Two men are digging in an inhospitable landscape. Their strong shoulders, curved backs and widely planted legs suggest the strenuous nature of their task. Millet often regarded peasant figures as evoking a sense of eternal and timeless toil in an unforgiving world. He un-idealised visions were seen … Read more

John Leech (1817-1864)

John Leech Hunting Incidents of ‘The Noble Science’: Don’t Move There, Plate 1 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/1)

Owen McSwiny (1684-1754)

Owen McSwiny Tombeaux des princes, grands capitaines et autre hommes illustres qui ont fleuri dans la Grande Bretagne 1741 Engraving  Paper: 650 x 424 mm; mount: 812 x 608 mm Eight engravings from the series publishes by McSwiny in 1741. Engraved by N. Dorigny, I. Cars, L. Desplaces, N.D. de Beauvais, B. Lepicie and J.P. … Read more

Valentin Le Febvre (1642-1680/2) after Titian (c. 1488/90-1576)

Valentin Le Febvre after Titian Raccolta di opere scelte: David and Goliath Venice, first published 1680 Engraving Plate: 332 x 310; paper: 747 x 510 mm Title page and 59 engravings after mainly Venetian paintings published by Teodoro Viero, Venice, 1786. The majority of the plates are by Le Febvre, S. Maniago, A. Zucchi, and … Read more

Orazio Farinati (1559 – after 1616)

Orazio Farinat The Madonna and Child with St John the Baptist Verona, about 1583 Etching Paper: 248 x 223 mm; mount: 557 x 403 mm This popular devotional grouping of the Madonna and the infant Jesus and St John the Baptist is intended to depict the cousins’ reunion in Egypt, after John was carried to … Read more

Stefano della Bella (1610-1664)

Stefano della Bella Les cinqs morts – Death holding a child Italy, 1648 Etching with engraving 191 x 153 mm Purchased 1954 (No.55.5/2)

The Prints and Drawing Study Room was created with the financial support of the DCMS/Wolfson Museums Improvement Fund.