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The Prints and Drawings Study Room

The Prints and Drawings Study Room houses our fine collection of prints, drawings and watercolours, comprising more than 1,000 works and six centuries of the draughtsman’s and printmaker’s arts.

The study room is open to researchers, students and the general public by appointment only.

For research enquires or to make an appointment please email: [email protected]

Please note: the Barber's galleries are closed for a major building improvement project.

Images inside the coin and print study room at The Barber Institute of Fine Arts, University of Birmingham.

We have outstanding drawings in our collection by varied artists such as Tess Jaray, Fra Bartolommeo, Rembrandt van Rijn, JMW Turner, Edgar Degas and Gwen John.

Prints include exceptional works by Albrecht Dürer, Francisco Goya, Italian and Flemish Renaissance masters and 19th-century and 20th-century artists from Pablo Picasso and Elizabeth Frink to Käthe Kollwitz.

Many of our prints and drawings can be viewed on our website, or on the University's Online Collections. We are still in the process of digitising our full collection of works on paper, so please bear with us.

A rotating selection of works on paper are displayed in our dedicated Print Bays (located in the Green and Beige galleries) – typically there are six print displays a year.

Explore our prints and drawings online:

Honoré Daumier (1808-1879)

Honoré Daumier Et pendant ce temps-là ils continuent à affirmer qu’elle ne s’est jamais mieux portée Paris, 1872 Lithograph 283 x 275 mm Daumier was a Republican, but there is no sense of triumph in this depiction of the Monarchy as a withered corpse in an open coffin. The Franco-Prussian War (1871-2) and resultant turmoil … Read more

Jan van de Velde (c.1593-1641)

Jan van de Velde The Seasons: Spring Enkhuizen, 1617 Etching Paper 265 x 350 mm; mount 405 x 557 mm This etching of a landscape during springtime in Holland is part of a series of the seasons made by Jan van de Velde in 1617. Jan van de Velde derived from a family of painters, engravers, etchers, and printmakers … Read more

Hendrick Goltzius (1558-1617)

Hendrick Goltzius Hercules and Cacus Haarlem, 1588 Woodcut 40.9 x 33.1 cm Hercules raises his club ready to strike Cacus, a fire-breathing monster, who cowers beneath him. The cows, which Cacus had stolen from Hercules, crowd the right-hand side. Secondary characters add to the chaos of the scene by cluttering the background. The focus, however, is … Read more

Schelte Adamz Bolswert (c.1586-1659)

Schelte Adamz Bolswert A Flat Flemish Landscape with Clouds and Figures The Netherlands Engraving  Plate: 322 x 432 mm, mount: 513 x 625 mm One of two engravings after Rubens bought by the Barber Institute. This one distinguishable as with figures. Purchased (No. 99.2b)

Luigi Scaramuccia (1616-1680)

Luigi Scaramuccia The Crowing with Thorns Italian, mid 1600s Engraving on laid handmade paper 52.5 x 35 cm Purchased 2000 (No. 2000.2)

William Hogarth (1697-1764)

William Hogarth Noon (second in sequence from ‘The Four Times of the Day’) London, 1738 Etching and engraving, black ink on paper Paper: 49 x 41 cm; mount: 80.8 x 60.5 cm  Dour-faced worshippers shuffle into the bright midday light from the Protestant French Huguenot church at St Giles’s-in-the-Field, London. Across the street, the rowdy … Read more

Crispin de Passe the Younger (c.1597 – c.1670)

Crispin de Passe the Younger L’instruction du roy en l’exercice de monter à cheval – The King is shown arriving at the Palace Royale Paris, 1629 Engraving Mount 515 x 629 mm Purchased 1956 (No.56.17/9)

Philip Galle (1537-1612)

Philip Galle The Story of the Prodigal Son – The Prodigal Son Squandering His Inheritance on Harlots Netherlands, 1562 Engraving Purchased 1964 (No. 64.7/2)

Jean Morin (1590-1650)

Jean Morin Jacques-Auguste de Thou (1553 – 1617) France, 1611 Engraving Paper: 328 x 261mm; mount: 558 x 405mm Morin was a French engraver best known for his portraits of royalty and politicians. This print was created after a painting by Ferdinand Elle (1570-1637), court artist to Louis XIII. De Thou was a French statesman … Read more

Valentin Le Febvre (1642-1680/2)

Valentin Le Febvre Raccolta di opere scelte: St Peter martyr Venice, published 1786 Engraving Title page and 59 engravings after mainly Venetian paintings published by Teodoro Viero, Venice, 1786. The majority of the plates are by Le Febvre, S. Maniago, A. Zucchi, and P. Monaco. Purchased 1956 (No. 56.10/2)

Joseph Mallord William Turner (1775-1851)

Joseph Mallord William Turner Isleworth London, 1819 Etching with mezzotint 21 x 28.9 cm In 1804 Turner began renting Sion Ferry House at Isleworth in Twickenham and spent the summer of 1805 making oil sketches from a boat on the Thames. This print is based on those sketches and was published in the penultimate thirteenth … Read more

Jacques Callot (1592-1635)

Jacques Callot View of the Louvre, Paris Paris, about 1629 Etching 170 x 345 mm Callot executed a pair of etching entitled The Grand Views of Paris, during his trip to the city in 1629. This series consists of the print displayed here, which shows a view of the Louvre Palace, and View of the … Read more

John Leech (1817-1864)

John Leech Hunting Incidents of ‘The Noble Science’: The Noble Science, Plate 5 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/4)

Jean-François Millet (1814-1875)

Jean-François Millet Peasant Returning from the Dunghill France, 1855 Etching  Purchased 1965 (No. 65.1)

Christoffel Jegher (1596-1652)

Christoffel Jegher The Infants Christ and St John playing with a Lamb Flemish, about 1635 Woodcut 34.4 x 45.9 cm  Purchased 2002 (No. 2002.4)

Adriaen van Ostade (1610-1685)

Adriaen van Ostade The child and the doll 1679 Etching 104 x 93 mm A child sits on its mother’s lap and reaches for a doll while the parents fondly observe. Dolls were particularly associated with girls as they were thought to gravitate naturally towards their calling as mother and housewife even in early play. … Read more

John Leech (1817-1864)

John Leech Mr Briggs Contemplates a Day’s Fishing 1850s Pen, ink and watercolour over pencil on paper mounted on card 240.5 x 299 mm Mr Briggs stands on a table in a disordered room; his fishing line knocks objects from the mantel-piece. Mrs Briggs and their two children survey the disarray with varied expressions. A … Read more

Arthur Melville (1855-1904)

Arthur Melville The Lawn Tennis Party at Marcus Glasgow, 1889 Watercolour and pencil heightened with body colour, on paper 760 x 940 x 34 mm Originally conceived in the late summer of 1886, Melville’s fresh and spontaneous watercolour shows the family home of John Robertson (a friend of the artist), at Marcus in north-east Scotland. … Read more

Attributed to Gerbrand van den Eeckhout (1621 – 1674)

Attributed to Gerbrand van den Eeckhout The Parting of David and Jonathan About 1632/3 Pen and wash Sheet 206 x 268 mm; mount 630 x 516 mm The subject which was formerly known as ‘The reconciliation of David and Absalom’, is from I ‘Samuel’, xx: 41-2, and thought to be by Rembrandt Harmensz. van Rijn … Read more

Lambert Doomer (1622/3-1700)

Lambert Doomer Rock Dwellings at Saumur on the Loire Dutch, 1646 Pen with grey and brown washes 22.8 x 36.5 cm The inhabitants of a rock dwelling execute their daily tasks. This scene at Saumur is on of a number of drawings made in the Loire Valley by the artist en route from Nantes in … Read more

Käthe Kollwitz (1867-1945)

Käthe Kollwitz Self-Portrait in Profile Berlin, 1927 Lithograph on Japanese paper 59 x 45 cm Kollwitz portrays herself with signs of aging and a careworn expression, working against the traditional portrait of the woman as timeless youth. The head, as the most vital part of the body, symbolizes the artist’s wisdom and her sympathetic mentality … Read more

Hieronymus Cock (around 1510 – 1570)

Hieronymus Cock Apollo and Daphne Antwerp, 1558 Etching Plate: 230 x 312 mm Mount: 405 x 556 mm Apollo and Daphne were among Cupid’s targets. Apollo, instilled with a great passion, pursues a terrified Daphne, who seeks divine assistance. Here, she is in the process of metamorphosing into a laurel tree: limbs sprouting leaves, foot … Read more

Henri de Toulouse-Lautrec (1864-1901)

Henri de Toulouse-Lautrec Le Divan Japonais Montmartre, Paris, 1892, published January 1893 Colour lithograph Toulouse-Lautrec established his name with poster designs, particularly those made to advertise the cabaret, Le Moulin Rouge. Many of his posters were heavily influenced by Japanese ukiyo-e prints, with their large flat areas of colour, stylised shapes and strong outlines. One … Read more

Robert Nanteuil (c. 1623 – 1678)

Robert Nanteuil John Evelyn Paris, about 1650 Engraving This engraving portrays Sir John Evelyn (1620-1706), the English writer known for his publications on culture, politics and the arts. Evelyn commissioned this portrait by Nanteuil whilst visiting Paris during the early 1650s. It is set in a simple oval and rests on an architectural plinth that … Read more

Gaspard Dughet (1615-1675)

Gaspard Dughet Four landscapes Engraving 225 x 210 mm Purchased 1954 (No.55.1/4)

André Derain (1880-1954)

André Derain La Chute de Phaëton (The Fall of Phaeton) France, about 1905 Brush, pen and black ink 64 x 35.8 cm Phaethon, son of Helios the sun-god, persuades his father to let him drive his sun-chariot, but wreaks such havoc that he is struck from the sky by Zeus (Ovid: Metamorphoses II, 150-327). A … Read more

Nicolas de Son

Nicolas de Son Garden scene with courting couples  Paris, 1615 Engraving Paper: 187 x 269 mm; mount: 405 x 556 mm The etching reproduces a design by the German artist Johan Liss, who worked in Italy between 1621 and 1630. the garden is a reflection of Arcadia, an idealised rural retreat popularised in 16th-century Italian … Read more

Ennemond-Alexandre Petitot (1727-1801)

Ennemond-Alexandre Petitot Suite de Vases: Page Two Parma, Italy 1764 Etching on laid paper Plate: 220 x 165 mm; paper: 420 x 280 mm A set of 32 engravings, with 3 printed folios. Series purchased in 1961 for £25 (No.61.4/2)

John Leech (1817-1964)

John Leech Hunting Incidents of ‘The Noble Science’: Our Friend Noddy, Plate 3 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/2)

Giovanni Domenico Tiepolo (1727-1804)

Giovanni Domenico Tiepolo The Flight into Egypt 188 x 244 mm Purchased 1955 (No. 55.3)

The Prints and Drawing Study Room was created with the financial support of the DCMS/Wolfson Museums Improvement Fund.