Lovis Corinth Christ on the Cross (Christus am Kreuz) Berlin, 1919 Woodcut Plate: 51 x 43 m; mount: 73 x 59 cm Christ is shown at his crucifixion, his head crowned by a searing sun and his body scored by the deep lines carved in the wood. Corinth uses chaotic hatched lines to emphasis Christ’s … Read more
Eugen Napoleon Neureuther The Morning after the Masked Ball Germany, 1840 Etching Plate: 21.5 x 29.1 cm This Romantic etching is an intense depiction of hallucinatory artistic inspiration. According to Boetticher, this is the artist Theodor Emil Richter in a dream-like state in his studio. Purchased 2001 (No. 2001.5)
Adolph von Menzel A Study for ‘Contribution’ Germany, about 1884 Carpenter’s pencil with stumping 22.9 x 15.2 cm Menzel was the leading master of later nineteenth-century German art. In its deftness and subtlety of line and modelling, it compares with the life drawings of Degas, also represented in the Barber collection. The drawing is a … Read more
Peter Herwegen Memories Germany, 1873 Watercolour over pencil, partly highlighted with gouache in gold 32.6 x 44 cm This watercolour is an allegory of the arts commissioned by the Buhler family of Berne. Alongside the attributes of painting, sculpture and architecture the intricate gothic design includes the Swiss city’s heraldic bear and key landmarks. The … Read more
Käthe Kollwitz Help Russia Berlin, 1921 Lithograph A suffering and emaciated man is embraced by two pairs of tough-looking hands. Designed as a propaganda poster during the Russian Civil War, this lithograph demonstrates the artist’s sensibility to the social conditions of the working class. The print medium serves as a useful tool for spreading pacifist … Read more