Untitled: Study towards ‘Green Sanctuary’ London, 1964 Graphite on paper 65 x 149 mm Due to licencing rules, the Barber is currently unable to reproduce images of this work for our website. If you wish to view this work, you can make an appointment to see it in the Prints and Drawings Study Room. ‘I wanted … Read more
The Miller’s Tale I (from The Canterbury Tales II series) London, 1972 Etching and aquatint on paper 652 x 462 mm Due to licencing rules, the Barber is currently unable to reproduce images of this work for our website. If you wish to view this work, you can make an appointment to see it in … Read more
Study for ‘Villandry’ London, 1966 Graphite on paper 246 x 259 mm Due to licencing rules, the Barber is currently unable to reproduce images of this work for our website. If you wish to view this work, you can make an appointment to see it in the Prints and Drawings Study Room. Jaray draws the eye … Read more
Untitled Study London, 1964 Graphite on paper 373 x 300 mm Due to licencing rules, the Barber is currently unable to reproduce images of this work for our website. If you wish to view this work, you can make an appointment to see it in the Prints and Drawings Study Room. Jaray’s untitled studies seemingly offer … Read more
A Village Scene Dutch, 1631 Black chalk and grey wash 11.1 x 18.6 cm Another drawing by van Goven of the same subject and date is in the Albertina, Vienna. Purchased in 1936 (No. 36.8)
Zephyrus and Flora Venice, about 1750 Pen, brown wash and black chalk on paper 23.9 x 33 cm Tiepelo made this drawing as a study for the principal figures in the ceiling fresco he painted for the Room of Mirrors in the Palazzo Labia in Venice. He also produced a small oil sketch of the … Read more
Elijah and the Widow of Zarephath Dutch, about 1670-80 Pen and brown wash 20.5 x 32.5 cm The subject is from the ‘Kings’, XVII: 10. This drawing shows the biblical story from Kings during which the Lord directs Elijah to the town gates of Zarephath where a widow has been directed to provide him with … Read more
A Music Party Venice, about 1750 Pen and brown wash over black chalk 25 x 37.3 cm This small scale domestic scene, known as a conservation piece, was characteristic of mid 18th century art. In this example from Venice, the music party takes place during the annual carnival – the figure to the left wears … Read more
Rock Dwellings at Saumur on the Loire Dutch, 1646 Pen with grey and brown washes 22.8 x 36.5 cm The inhabitants of a rock dwelling execute their daily tasks. This scene at Saumur is on of a number of drawings made in the Loire Valley by the artist en route from Nantes in 1646. Other … Read more
A Coastal Scene Venice, the 1770s Pen and brown wash with traces of black chalk 25.1 x 36.9 cm In addition to his topographical views of Venice, Francesco Guardi also produced imaginary landscapes such as this coastal scene from the 1770s. Such drawings repeat the same range of motifs taken from the Venetian lagoon – … Read more
Meekness Venice, 1575-7 Pen and brown wash heightened with bodycolour on blue paper 18.9 x 31.0 cm Related to the ceiling paintings of the same subject by Veronese in the Sala del Colegio of the Doge’s Palace, Venice. Purchased 1937 (No. 37.2)
Study for the Head of St Charles Borromeo Rome, 1658-90 Red chalk heightened with white on blue paper 36.1 x 27.9 cm This drawing is a study for the head of the figure of Saint Carlo Borromeo in the High Altarpiece of the Church of S. Carlo al Corso, Rome. This study represents Saint Carlo … Read more
A Man with an Oar Netherlands, about 1520/21 Pen and brown ink 16 x 10.4 cm This fine drawing is one of a number of works believed to have been made during Dürer’s trip to the Netherlands in around 1520-21. It was among those taken from the museum of the Lubomirski family, established in the … Read more
The Coal Famine British, mid 1800s Pen and brown ink 16.8 x 11.4 cm A lady and a gentleman are seated either side of a table in overcoats and hats. The lady on the left reads an invitation to a ‘Fire Party.’ There is another work of the same subject in the Barber’s collection in … Read more
A Study for ‘Contribution’ Germany, about 1884 Carpenter’s pencil with stumping 22.9 x 15.2 cm Menzel was the leading master of later nineteenth-century German art. In its deftness and subtlety of line and modelling, it compares with the life drawings of Degas, also represented in the Barber collection. The drawing is a study for the … Read more
A Nude Girl Seated on a Bed London, 1899 Pen and ink, brown wash on paper 27.6 x 21.4 cm This is one of a number of studies that Orpen made of Emily Scobel, a model at the Slade School of Art where he was studying at this date. The drawings culminated in an oil … Read more
The Battle of the Beaux and the Belles London, about 1896 Pen and black ink 25.7 x 17.6 cm This drawing was published in the 1896 edition of Alexander Pope’s The Rape of the Lock (1714). Beardsley’s drawing illustrates the moment the heroine Belinda attacks the Baron (opposite) with her fan after discovering he has … Read more
La Chute de Phaëton (The Fall of Phaeton) France, about 1905 Brush, pen and black ink 64 x 35.8 cm Phaethon, son of Helios the sun-god, persuades his father to let him drive his sun-chariot, but wreaks such havoc that he is struck from the sky by Zeus (Ovid: Metamorphoses II, 150-327). A popular theme … Read more
A Portrait of the Artist’s Wife, ‘Froanna’ (Gladys Anne Hoskins 1900-1979) America, 1940 Pencil and coloured chalks on blue paper 48.3 x 31 cm This portrait of the artist’s wife Gladys Hoskins (1900-1979), known as Froanna, was made in America where Lewis spent the war years. The artist bought the distinctive blue paper in a … Read more
Sheet of Caricature Heads Parma, 1594 Pen and brown ink on paper 20.2 x 28 cm This sheet of head studies can be viewed in the tradition of physiognomic studies began by Leonardo da Vinci (1452–1519) when conducting anatomical investigations. However, rather than documenting realistic detail, Carracci has reduced his sketched heads to the bare … Read more
Musicians Rome, 17th century Pen and brown iron gall ink over black chalk on paper 12.1 x 15.4 cm Three comparable sheets of groups of music-makers are at the British Museum, a group of five standing musicians was with Christie’s in 2003 and three separate figure studies engaged in playing an instrument are at the … Read more
A Hilly Landscape London, about 1775-80 Black chalk and stump and white chalk on blue paper 270 x 335 mm Gainsborough rarely made drawings as preparation for a painting and at this date he did not work from nature. Instead, landscape drawings such as this were made as private studio exercises in which he manipulated … Read more
The Cirque Fernando – Architectural Study France, c. 1879 Pencil, black and red chalk on two sheets of joined pink paper A study for the architectural background of ‘La La at the Cirque Fernando’. The Cirque Fernando was built in 1875 in the boulevard Rochechouart, Paris, near the Place Pigalle. Studies for the interior fill … Read more
Portrait of Helena Fourment? Antwerp, 1630-1635 Drawing with black and red chalk heightened with white 561 x 351 mm Both the former attribution to Rubens and the identification of the sitter as Helena Fourment are doubtful, and compromised by poor condition. The traditional identification of the sitter as the artist’s second wife stems from the … Read more
The Triumph of Realism British, 1879 Pen, brown ink and pencil on card 254 x 358 mm Du Maurier was a Franco-English illustrator, author and cartoonist. This drawing was made for the satirical magazine Punch (1841-2002). The magazine is responsible for coining the word ‘cartoon’ in its modern sense, as a humorous illustration, rather than … Read more
Design for stained glass About 1520 Pen and grey wash with traces of black chalk 375 x 295 mm Hans Holbein the Younger, later court painter of Henry VIII, made several designs for stained glass windows in his early career. The inclusion of a mitre and crozier suggests that the design was probably made for a … Read more
Madonna and Child with Saint Mary Magdalene and a Bishop Possibly Turin, early 1540/43 Black chalk on paper 833 x 900 mm This is a cartoon, or full-scale preparatory drawing, for part of Lanino’s Madonna and Child Adored by Saints altarpiece now in the National Gallery, London. This altarpiece was executed in 1543 for the … Read more
