Jean-Auguste-Dominique Ingres, after Leonardo da Vinci (1452-1519)

La belle Ferronnière Paris, about 1802-6 Black chalk, stump and wash Paper: 52.5 x 41.8 cm; mount: 78.5 x 57.5 cm This drawing is a copy of a painting attributed to Leonardo da Vinci in the Louvre, Paris, thought to represent a mistress of Francis I. Ingres’s work precisely traces the subtle contours of the … Read more

Carlo Maratti (1625-1713)

Study for the Head of St Charles Borromeo Rome, 1658-90 Red chalk heightened with white on blue paper 36.1 x 27.9 cm This drawing is a study for the head of the figure of Saint Carlo Borromeo in the High Altarpiece of the Church of  S. Carlo al Corso, Rome. This study represents Saint Carlo … Read more

after Rubens, Peter Paul (1577-1640)

Portrait of Helena Fourment? Antwerp, 1630-1635 Drawing with black and red chalk heightened with white 561 x 351 mm Both the former attribution to Rubens and the identification of the sitter as Helena Fourment are doubtful, and compromised by poor condition. The traditional identification of the sitter as the artist’s second wife stems from the … Read more