Stefano della Bella (1610-1664)
Les cinqs morts – Death carrying a child on his back Italy, 1648 Etching with engraving 191 x 151 mm Purchased 1954 (No.55.5/3)
Les cinqs morts – Death carrying a child on his back Italy, 1648 Etching with engraving 191 x 151 mm Purchased 1954 (No.55.5/3)
Les cinqs morts – Death holding a child Italy, 1648 Etching with engraving 191 x 153 mm Purchased 1954 (No.55.5/2)
Les cinqs morts – Death on horseback Italy, 1648 Etching with engraving 191 x 151 mm Here, the horse charges out of the picture frame, representing the inevitable coming of death. Breaking away from traditional equestrian portraits of rulers and generals, the horse and rider are not a unified partnership. Instead, their struggle is portrayed … Read more
The Raising of Lazarus Etching 228 x 320 mm Purchased 1955 (No.55.2)
View of the Louvre, Paris Paris, about 1629 Etching 170 x 345 mm Callot executed a pair of etching entitled The Grand Views of Paris, during his trip to the city in 1629. This series consists of the print displayed here, which shows a view of the Louvre Palace, and View of the Pont-Neuf. In … Read more
An Old Horse Netherlands, about 1650 Black chalk Sheet 227 x 229 mm; mount 632 x 517 mm This drawing is undated but could relate to Potter’s Book of Horses of 1652 in which there are images of horses in a similar style. Potter’s small sketches are particularly sensitive and concentrate on depicting animals in … Read more
The child and the doll 1679 Etching 104 x 93 mm A child sits on its mother’s lap and reaches for a doll while the parents fondly observe. Dolls were particularly associated with girls as they were thought to gravitate naturally towards their calling as mother and housewife even in early play. This simple family … Read more
The Child and the Doll Haarlem, before 1679 Pen and ink and watercolour Sheet 110 x 92 mm; mount 557 x 408 mm In this gentle scene a family relaxes in the street, the mother and daughter playing happily with a doll. The quasi-domestic setting, including draped linen, cooking pot and toy doll foresee the … Read more
Dr Richard Robinson, D. D. 1775 Mezzotint 510 x 357 mm This print was made after the painting by Reynolds, which is also in the Barber’s collection. The Englishman Richard Robinson (1709-1794) was made Archbishop of Armagh in 1765, so when this portrait was painted he was Primate of Ireland. He is dressed in the … Read more
Hunting Incidents of ‘The Noble Science’: Mr Jorrocks, Plate 12 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/10)
Hunting Incidents of ‘The Noble Science’: Gone Away!, Plate 11 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/9)
Hunting Incidents of ‘The Noble Science’: A Capital Finish, Plate 10 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/8)
Hunting Incidents of ‘The Noble Science’: Hold Hard, Master George, Plate 8 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/7)
Hunting Incidents of ‘The Noble Science’: Where There’s a Will, Plate 7 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/6)
Hunting Incidents of ‘The Noble Science’: A Frolic Home, Plate 6 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/5)
Hunting Incidents of ‘The Noble Science’: The Noble Science, Plate 5 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/4)
Hunting Incidents of ‘The Noble Science’: A Friendly Mount, Plate 4 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/3)
Hunting Incidents of ‘The Noble Science’: Our Friend Noddy, Plate 3 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/2)
Hunting Incidents of ‘The Noble Science’: Don’t Move There, Plate 1 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/1)
Mr Briggs contemplates a day’s fishing Coloured etching 240 x 299 mm Fishing was seen as a means of escaping urban congestion, offering the working man relaxation. Mr Briggs’s front-room construction of this contemplative sport is rather more frenetic, as his line knocks candlesticks, picture frames and vases from the mantel piece. Briggs’s shocked wife … Read more
Mr Briggs Contemplates a Day’s Fishing 1850s Pen, ink and watercolour over pencil on paper mounted on card 240.5 x 299 mm Mr Briggs stands on a table in a disordered room; his fishing line knocks objects from the mantel-piece. Mrs Briggs and their two children survey the disarray with varied expressions. A slightly different … Read more
Johnny Toole, the Actor Pen with traces of pencil on card 110 x 61 mm Johnny Toole (1830-1906) was a popular comic actor. He was drawn by May several times including in a large watercolour portrait. May was a portrait and caricature artist who arrived in London in 1883 and went on to work in … Read more
Donkey and Cart 1893 Pencil 181 x 305 mm The donkey and cart are seen from the left side, there is a basket in the back of the cart. May was a portrait and caricature artist who arrived in London in 1883 and went on to work in Sydney, Australia, Italy and Paris before returning … Read more
Christ and the Woman of Samaria 1658 Etching with drypoint 126 x 156 mm The subject is from ‘John’, iv: 7-26. Three later paintings of the theme are in the Gemaldegalerie, Berlin, the Metropolitan Museum, New York, and the Hermitage, St Petersburg. Rembrandt also made two etchings of the subject, one dated 1634, the other … Read more
Study of a Nude Figure London, About 1847 Red chalk on buff paper 165 x 164 mm This nude study is one of numerous preparatory studies for decorative frieze (now in the Walker Art Gallery) which was commissioned by the Blundell family for Deysbrook House, near Liverpool. The drawing is probably part of a larger … Read more
Christ and the Woman of Samaria Amsterdam, late 1640s Pen and brown ink 210 x 190 mm At Sychar in the West Bank, Christ meets the Samaritan Woman at a well. Christ uses the well’s water as an analogy for Christian salvation and the sacrament of the Eucharist. The well’s water offers no heavenly reward. … Read more