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The Prints and Drawings Study Room

The Prints and Drawings Study Room houses our fine collection of prints, drawings and watercolours, comprising more than 1,000 works and six centuries of the draughtsman’s and printmaker’s arts.

The study room is open to researchers and the general public by appointment only.

Due to essential building improvement works, the Prints and Drawings Study Room is currently closed to the public until summer 2024.

For research enquires please email: collections@barber.org.uk

Images inside the coin and print study room at The Barber Institute of Fine Arts, University of Birmingham.

We have outstanding drawings in our collection by varied artists such as Tess Jaray, Fra Bartolommeo, Rembrandt van Rijn, JMW Turner, Edgar Degas and Gwen John.

Prints include exceptional works by Albrecht Dürer, Francisco Goya, Italian and Flemish Renaissance masters and 19th-century and 20th-century artists from Pablo Picasso and Elizabeth Frink to Käthe Kollwitz.

Many of our prints and drawings can be viewed on our website, or on the University's Online Collections. We are still in the process of digitising our full collection of works on paper, so please bear with us.

A rotating selection of works on paper are displayed in our dedicated Print Bays (located in the Green and Beige galleries) – typically there are six print displays a year.

Explore our prints and drawings online:

Gaspard Dughet (1615-1675)

Four landscapes Engraving 225 x 210 mm   Purchased 1954 (No.55.1/3)ShareTweetSharePin

Adolph von Menzel (1815-1905)

A Study for ‘Contribution’ Germany, about 1884 Carpenter’s pencil with stumping 22.9 x 15.2 cm Menzel was the leading master of later nineteenth-century German art. In its deftness and subtlety of line and modelling, it compares with the life drawings of Degas, also represented in the Barber collection. The drawing is a study for the … Read more

Ennemond-Alexandre Petitot (1727-1801)

Suite de Vases: Page One Parma, Italy 1764 Etching on laid paper Plate: 220 x 165 mm; paper: 420 x 280 mm; mount: 630 x 520 mm Page one is dedicated to Guillaume du Tillot, the First Minister who was responsible for introducing Petitot to the court in Parma. At the time of production, Parma … Read more

attributed to Gerbrand van den Eeckhout (1621 – 1674)

The Parting of David and Jonathan About 1632/3 Pen and wash Sheet 206 x 268 mm; mount 630 x 516 mm The subject which was formerly known as ‘The reconciliation of David and Absalom’, is from I ‘Samuel’, xx: 41-2, and thought to be by Rembrandt Harmensz. van Rijn (1606 – 1669). It is treated … Read more

Ennemond-Alexandre Petitot (1727-1801)

Suite de Vases: Page Three Parma, Italy 1764 Etching on laid paper Plate: 220 x 165 mm; paper: 420 x 280 mm; mount: 630 x 520 mm A set of 32 engravings, with 3 printed folios. Series purchased in 1961 for £25 (No.61.4/3) ShareTweetSharePin

John Leech (1817-1864)

Hunting Incidents of ‘The Noble Science’: The Noble Science, Plate 5 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/4) ShareTweetSharePin

Stefano della Bella (1610-1664)

Les cinqs morts – Death holding a child Italy, 1648 Etching with engraving 191 x 153 mm Purchased 1954 (No.55.5/2)   ShareTweetSharePin

Pietro Berretini da Cortona (1596-1669)

A Wooded River Landscape Rome, about 1650 Black chalk, brush and grey ink, grey wash 283 x 425 mm Cortona was, along with Bernini, a presiding genius of the Roman Baroque. Excelling as a painter, architect and decorator, he also executed a number of landscape drawings, often as pure diversions. One of the finest examples, … Read more

Jacques Callot (1592-1635)

The Battle of Avigliano Paris, about 1630 Engraving Plate 356 x 534 mm; mount 522 x 635 mm Callot produced numerous topographical prints and scenes of warfare during the 1630s. This etching shows the battle between the French and Austrian armies outside Avigliano, a small town in Southern Italy. One of Callot’s characteristic traits is … Read more

Wenceslaus Hollar (1607-1677)

Queen Henrietta Maria London, 1641 Etching Henrietta Maria (1609-1669) was the daughter of Henri IV of France and the wife of Charles I. Although her Roman Catholicism alienated many of her subjects, she gave strong and devoted support to her husband. Wenceslaus Hollar was a prolific artist, producing nearly 2,800 prints and many watercolours and … Read more

William Hogarth (1697-1764)

Morning (first in the sequence from ‘The Four Times of the Day’) London, 1738 Etching and engraving, black ink on paper Paper: 48.8 x 39.7 cm; mount: 80.8 x 60.5 cm A wealthy spinster crosses Covent Garden Piazza on a freezing morning. The spinster’s attention is riveted on two embracing couples, causing her to ignore … Read more

Albrecht Dürer (1471-1528)

The Death of the Virgin Nuremberg, 1510 Woodcut In contrast to the highly-wrought drama of his Apocalypse series, Dürer’s Life of the Virgin cycle incorporates more naturalistic settings, intended to appeal to a broader public. This sorrowful scene shows the Virgin Mary on her death bed surrounded by her apostles. Dürer’s ability to create movement and his … Read more

EDGAR DEGAS (1834-1917)

MISS LALA AT THE CIRQUE FERNANDO France, 1879 Black chalk with touches of pastel 470 x 320 mm In 1879 Degas made this preparatory drawing of Miss LaLa, an acrobat of mixed European and African parentage. Renowned for her agility, she performed throughout Europe. This daring perspective shows LaLa suspended from the rafters of the … Read more

Crispin de Passe the Younger (c.1597 – c.1670)

L’instruction du roy en l’exercice de monter à cheval – Two posts linked by a decorative cord, with a saddle and a whip Paris, 1629 Engraving Plate 322 x 416 mm; mount 515 x 629 mm Purchased 1956 (No.56.17/4) ShareTweetSharePin

Owen McSwiny (1684-1754)

Tombeaux des princes, grands capitaines et autre hommes illustres qui ont fleuri dans la Grande Bretagne 1741 Engraving  Paper: 650 x 422 mm; mount: 812 x 608 mm Eight engravings from the series publishes by McSwiny in 1741. Engraved by N. Dorigny, I. Cars, L. Desplaces, N.D. de Beauvais, B. Lepicie and J.P. Le Bas. … Read more

Joseph Mallord William Turner (1775 – 1851)

Isis London, 1819 Etching, with mezzotint by W. Say 20.9 x 30 cm This image is highly reminiscent of Claude Lorrain and belongs to the elusive ‘E.P’ category. It was published in the forteenth and final installment of the Liber Studiorum series. The ruins in the foreground create a strong sense of an idealised ancient … Read more

Conrad Martin Metz (1749-1827)

The Death of the Children of Niobe Rome, 1820 Pen and brown ink and wash, heightened with white 454 x 684 mm Metz lived in Rome from 1801 until his death in 1827. This highly-worked presentation drawing treats the slaughter of Niobe’s seven sons and seven daughters by Apollo and Diana, a subject from Ovid … Read more

John Leech (1817-1864)

Hunting Incidents of ‘The Noble Science’: Gone Away!, Plate 11 1865 Lithograph 445 x 595 mm Purchased 1944 (No.44.6/9) ShareTweetSharePin

Owen McSwiny (1684-1754)

Tombeaux des princes, grands capitaines et autre hommes illustres qui ont fleuri dans la Grande Bretagne 1741 Engraving  Paper: 650 x 424 mm; mount: 812 x 608 mm Eight engravings from the series publishes by McSwiny in 1741. Engraved by N. Dorigny, I. Cars, L. Desplaces, N.D. de Beauvais, B. Lepicie and J.P. Le Bas. … Read more

GIOVANNI BATTISTA PIRANESI (1720-1778)

The Villa d’Este, Tivoli Rome, 1773 Etching This engraving is from a series entitled Views of Rome. In this etching, Piranesi depicted the impressive gardens of the Villa d’Este in Tivoli, originally built for Cardinal Ippolito II d’Este (1509-1572).  The inclusion of tiny figures on the steps emphasises the scale of the grounds. The garden … Read more

William Hogarth (1697-1764)

Noon (second in sequence from ‘The Four Times of the Day’) London, 1738 Etching and engraving, black ink on paper Paper: 49 x 41 cm; mount: 80.8 x 60.5 cm  Dour-faced worshippers shuffle into the bright midday light from the Protestant French Huguenot church at St Giles’s-in-the-Field, London. Across the street, the rowdy patrons of … Read more

IMAGE LIBRARY

Images and Reproduction Rights Welcome to The Barber Institute of Fine Arts Image Library The Barber Institute Image Library undertakes photography of works from the collection and supplies images in accordance with the following scale of charges and subject to our terms and conditions of use, found at the end of the Image Request forms … Read more

Max Beckmann (1884-1950)

Resurrection  Frankfurt, about 1918 Drypoint on laid handmade paper 37.3 x 44.6 cm; mount: 72.5 x 59 cm  This print repeats, in reverse, the composition of a large mural (Staatsgalerie, Stuttgart) that Beckmann began in 1916 but never completed. Bodies cover the ground in various states of suffering and death, many distorted, some horribly mutilated, … Read more

John Leech (1817-1864)

Mr Briggs contemplates a day’s fishing Coloured etching 240 x 299 mm Fishing was seen as a means of escaping urban congestion, offering the working man relaxation. Mr Briggs’s front-room construction of this contemplative sport is rather more frenetic, as his line knocks candlesticks, picture frames and vases from the mantel piece. Briggs’s shocked wife … Read more

Jan van de Velde (c.1593-1641)

The Seasons: Summer Enkhuizen, 1617 Etching Paper 265 x 350 mm; mount 405 x 557 mm This etching of a landscape during summer in Holland is part of a series of the seasons made by Jan van de Velde in 1617. Jan van de Velde derived from a family of painters, engravers, etchers, and printmakers who had a profound … Read more

John Leech (1817-1864)

A Bracing Day at the Seaside British Watercolour over pencil 252 x 350 mm A family group struggle against the wind to walk along Scarborough Pier, whilst large waves break behind them. Leech’s characterisation of the holiday spirit is demonstrated by the ecstatic children in the foreground, the grimacing female guiding them, and the striding … Read more

Gaspard Dughet (1615-1675)

Four landscapes Engraving 225 x 210 mm Purchased 1954 (No.55.1/4) ShareTweetSharePin

Crispin de Passe the Younger (c.1597 – c.1670)

L’instruction du roy en l’exercice de monter à cheval – The King in the Great Stables of the Louvre Paris, 1629 Engraving Plate 324 x 420 mm; mount 515 x 629 mm Purchased 1956 (No.56.17/3) ShareTweetSharePin

Jozef Israels (1824-1911)

The fisherman Paris, about 1883 Etching on wove paper, probably Japanese paper, with blind stamp 498 x 391 mm Almost identical to an oil painting of about 1883 entitled ‘The Fisherman’ or ‘The Struggle for Existence’, this etching portrays a man with his sleeves and trouser legs rolled up for fishing salmon. The work focuses … Read more

Schelte Adamz Bolswert (c.1586-1659)

A Flat Flemish Landscape with Clouds and Figures The Netherlands Engraving  Plate: 322 x 432 mm, mount: 513 x 625 mm One of two engravings after Rubens bought by the Barber Institute. This one distinguishable as with figures. Purchased (No. 99.2b) ShareTweetSharePin

The Prints and Drawing Study Room was created with the financial support of the DCMS/Wolfson Museums Improvement Fund.