The stark, animal-like figure of a woman passionately embraces the corpse of a young boy.
In 1914 this became reality for the artist when her younger son, the model for the dead boy, died in the early months of the First World War. The maternal grief for the dead boy signifies the artist’s hatred of wars and her pessimistic view of Germany at that time.
Purchased 2000 (No. 2000.8)
We show a rotating selection of works on paper in our two dedicated exhibition spaces.If you wish to view a work not currently on display, you can make an appointment to see it in the Prints and Drawings Study Room, which is equipped with viewing lecterns and a study/seminar table.
The study room is open to students, scholars and members of the general public, individually or in small groups, by prior appointment only. The room has tables and chairs to facilitate private study or seminars.
Open Monday to Friday, 10am – 1pm and 2 – 4.30pm
Groups welcome – but limited to 12 people at any one time, please!
Appointments: collections@barber.org.uk or +44 (0)121 414 7350