Bartolomé Esteban Murillo (1617 – 1682)

The Marriage Feast at Cana

Seville, about 1672

Oil on canvas

179 x 235 cm

Christ performs his first miracle, turning water into wine. Murillo has depicted the Biblical episode as if taking place in his own city of Seville. Servants fill Sevillian water pots, while a boy in a decorative orange-red tunic looks on eagerly. His lavish outfit suggests that he may have been enslaved. There were many enslaved Africans or Afro-Hispanics in Seville at the time, many of whom were forced to convert to Christianity through baptism. The painting was commissioned by Nicolas Omazur, a Flemish silk merchant resident in Seville, possibly to mark his marriage to Isabel Malcampo and demonstrate his religious piety.

Purchased 1947 (No.47.9)

LOAN INFORMATION

This painting is was previously on loan to the following exhibitions:

‘Murillo: From Heaven to Earth’ at the Kimbell Art Museum, Texas (18 September 2022 – 29 January 2023)

and ‘Juan de Pareja, Afro-Hispanic Painter’ at The Metropolitan Museum of Art, in New York City (27 March – 16 July 2023)

LEARN MORE

Read In Depth: A Boy in Seville: The Representation of Black Identities in a 17th-century Spanish Painting, published in Issue Four of Midlands Art Papers (August 2021).


Listen to our online talk, ‘Sharing a research project: a Boy in Seville’ (May 2021).


‘The Marriage Feast at Cana’, featured in the Guardian and Art UK Great British Art Tour (February 2021).

Read the feature – and join the debate about this fascinating painting with Art UK’s Art Detective.