barber institute of fine arts
university of birmingham


Agostino Carracci (1557-1602)

Ecce Homo

Bologna, 1587

Etching

Paper: 45 x 34.4 cm; mount: 63 x 51.5 cm 

 

Depicting a standard cycle of the Passion of Christ, the words ‘Ecce Homo’ (‘Behold the Man’) were used by Pontius Pilate to present Christ to the jeering crowds before his crucifixion.

Mary swoons in the foreground, an unusual addition to the scene, as her presence goes unmentioned in the Gospel (John 19: 2-5). Pilate can also be seen, wearing a turban. Carracci’s representation encapsulates the poignancy and solemnity of the narrative. The engraving is almost the same size as Correggio’s painting in the National Gallery, London, on which it is based.

Purchased 2001 (No. 2001.3)

Truly Bright and Memorable: Jan de Beer’s Renaissance Altarpieces

25 October 2019 - 19 January 2020

Learn more

King Edward’s Schools

Friday 22 November, 1pm

Learn more

Karel Dujardin (1621/2-1678)

A Shepherdess Talking to her Dog

LEARN MORE

Orazio Marinali (1643-1720)

Christ as the Man of Sorrows

LEARN MORE